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Movies at the 2002 High Falls Film Festival FEATURE FILMS
DOCUMENTARIES
THE FILMS This year's Festival films include some of this festival season's most critically acclaimed and most popular works. The feature films and documentaries that complete the High Falls Film Festival 2002 line-up include many new films that are just beginning to build followings here in the United States and throughout the world, new works by well-respected directors and producers, and first-time achievements by up-and-coming filmmakers. FEATURES: BLACKBOARDS
(Feature, Iran, 85 minutes) is the second feature film directed by Samira
Makhmalbaf, the youngest director ever to receive the Jury's Prize at
the Cannes Film Festival. Especially pertinent in today's international
political climate, BLACKBOARDS tells the story of a group of male teachers
in the remote Iranian Kurdistan region, and their search for young people
who have time for learning and literacy instead of dangerous, politically
charged pursuits. BLOODY SUNDAY
(Feature, UK/Ireland, 107 minutes). Controversial and critically acclaimed,
BLOODY SUNDAY depicts the events of January 30, 1972, when 27 Irish civilians
were shot by the British army during a peaceful civil rights march. The
shooting fueled a 25-year cycle of violence between Britain and elements
of Ireland. James Nesbitt (Waking Ned Divine) is one of the film's stars.
With Pippa Cross as its co-executive producer, BLOODY SUNDAY received
the Audience Award in World Cinema at the Sundance Film Festival and the
Golden Bear for Best Film at the Berlin International Film Festival. BLUE CAR
(Feature, US, 96 minutes) invites us into the teenage psyche of Meg, a
gifted but emotionally scarred 18-year-old. Haunted by her father's abandonment
of the family and neglected by her overworked mother, she finds solace
in writing poetry. Meg's English teacher, Mr. Auster, recognizes her talent
and encourages her to enter a national poetry contest. As tension at home
escalates and Meg struggles to find a way to get to the poetry finals
in Florida, Auster's role in her life becomes increasingly complex. Writer/director
Karen Moncrieff constructed scenes that push emotional buttons and question
our attitudes about forbidden love. CHAOS
(Feature, France, 106 minutes), written and directed by Coline Serreau
(THREE MEN AND A CRADLE) with Christine Gozlan as its executive producer.
The opening night film at the Little Theatre is the story of a chic, middle-aged
Parisian couple whose lives suddenly become intertwined with a young prostitute
combines gritty adventure, suspense and offbeat fun. Helene and Paul are
on the way home from a party in their sporty car when a young woman careens
down an alley toward them, chased by several thugs. She bangs on the car
and implores them to save her, but Paul locks the doors--and he and Helene
see the woman mercilessly beaten as they drive away. The attack sets off
a chain of events that take Helene deeper and deeper into an underworld
she has never experienced. While her marriage founders, she soon finds
herself in over her head as she tries to keep the young woman out of the
clutches of her tormentors. CIVIL BRAND
(Feature, US, 95 minutes). Neema Barnette directs this study of the real-life
use of cheap prison labor to manufacture products and generate profits.
With a cast that features Mos Def (Top Dog, Underdog), rappers MC Lite
and Da Brat, and Clifton Powell as the evil prison captain, CIVIL BRAND
explores the abuses rampant in women's prisons and the powerlessness of
the inmates, while telling the uplifting story of one inmate (played by
LisaRae) who leads the others in a battle for reform. FRIDA
(Feature, US, 119 minutes), the long-awaited biopic based on the life
of Mexican painter Frida Kahlo and her husband, Diego Rivera, will open
the Festival at the Dryden Theatre, located at the George Eastman House
International Museum of Photography and Film. Selma Hayek stars as Frida
Kahlo, with Alfred Molina, Ashley Judd, Geoffrey Rush, Antonio Banderas
and Edward Norton rounding out a stellar cast. Directed by Julie Taymor,
the Tony-winning creative powerhouse behind the Broadway production of
The Lion King, FRIDA was chosen to open the Venice International Film
Festival earlier this year, and enjoyed a highly acclaimed North American
premiere at the Telluride Festival, with screenings at the Mill Valley
and Toronto Film Festivals before coming to Rochester. GOD IS GREAT,
I'M NOT (Feature, France, 100 minutes) stars Audrey Tautou, who
captivated audiences with her performance in Amélie earlier this
year. Directed by Pascale Bailly and written by Bailly with Alain Tasma,
GOD is the story of Michelle, a young woman barely out of her teens, and
her quest to believe in something--God, Buddha, or a 32-year-old Jewish
man named François (Edouard Baer). THE HAPPINESS
OF THE KATAKURIS (Feature, Japan, 113 minutes). This bizarre black
comedy, loosely based on the Korean movie Quiet Family, blends genres
to tell the story of a modern dysfunctional family and their shared dream
of opening a guest house in the country. Despite all their best efforts,
they can't counteract the house's unfortunate habit of attracting guests
who all turn up dead in the morning. Any situation becomes reason enough
for the cast to burst into a full-blown musical number, complete with
costume changes and backup dancers. --just the thing for Halloween night
at the Festival. "You could poke around in here for some deeper message..."
said Seattle Weekly, "but you should probably just call it a midnight
movie and roll with it." Kikumi Yamagishi wrote the screenplay for
this kooky film. HIS SECRET LIFE
(Feature, Italy, 106 minutes) tells the story of a married woman who discovers
that her adored husband had a lover throughout the last seven years of
their marriage. Her quest to find that person takes her on a surprising
personal adventure. Co-produced by Tilde Corsi, HIS SECRET LIFE stars
the wonderfully incandescent Stefano Accorsi, and Margherita Buy as Antonia,
the wife who must face the truth about her husband after his untimely
death. HOW I KILLED MY
FATHER (Feature, France, 100 minutes), co-written and directed
by Anne Fontaine, reunites an estranged father with his adult son--but
with crisis-level consequences. Jean-Luc is a successful man living in
wealthy Versailles with his beautiful wife, but Maurice, his father, profoundly
disrupts his son's idyllic existence with his reappearance and subsequent
disdain for everything his son has become. Michel Bouquet and Charles
Berling are the film's stars. LIFT (Feature,
US). The second film by the promising new African-American writing/directing
team of DeMane Davis and Khari Streeter. LIFT is a powerful look into
a world in which people with no money wear designer labels, and capitalism
takes precedence over humanity. Centering on a department store shopgirl
in Roxbury, MA, who makes shoplifting her source of alternative income,
LIFT follows a caper than goes horribly wrong and leads us to the redemptive
power of family and forgiveness. LOCO FEVER
(Feature, Chile/Mexico, 94 minutes). When Chilean officials lift the ban
on harvesting the shellfish "el loco," a purported aphrodisiac,
greed and lust take hold in the seaside village of Puerto Gala. The prized
crustacean attracts a buyer from a Japanese company who wants exclusive
rights; a traveling band of prostitutes who accompany the influx of fishermen,
and many more. Rosa Bosch and Bertha Navarro are two of the film's three
producers (Andrés Wood is the third). LOVE LIZA
(Feature, US, 90 minutes), written by Fairport native Gordy Hoffman and
starring his brother, Phillip Seymour Hoffman. This darkly humorous story,
shown as part of the closing night awards presentation and film event
at the Dryden on Saturday, Nov. 2, follows the travails of a web site
designer who tries to make sense of his wife's unexpected suicide. Women
behind the camera include Ruth Charny, one of the film's producers, and
Lisa Rinzler, LOVE LIZA's cinematographer. This quirky film won the Waldo
Salt Screenwriting Award at the 2002 Sundance Film Festival, and was picked
up by Sony Classics for distribution. MORVERN CALLAR
(Feature, UK, 97 minutes). Director Lynne Ramsay catapulted to international
prominence with her first Glasgow feature, Ratcatcher, which took numerous
awards at international film festivals . MORVERN CALLAR is her eagerly
awaited second movie. It's winter in a remote Scottish Highland seaport.
Morvern Callar, a 21-year-old low-paid employee of the local supermarket,
wakes up on Christmas morning to find her boyfriend is dead on the kitchen
floor. He has left her cash and his unpublished novel on a computer disk.
What will she do? Ramsay directed and co-wrote this unusual film. NEAR DARK
(Feature, US, 95 minutes). Kathryn Bigelow's 1987 journey into the horror
genre hints at her later triumphs in suspense filmmaking with K-19: The
Widowmaker, Point Break and others--while providing a creepy addition
to the Festival's Halloween line-up. A mid-western farm boy reluctantly
becomes a member of the undead when a girl he meets turns out to be part
of a band of southern vampires who roam the highways in stolen cars. In
its original release, the film's promotional tagline was, "Killing
you would be easy. They'd rather terrify you...forever." NOWHERE IN
AFRICA (Feature, Germany, 138 minutes). Written and directed by
Caroline Link, whose Beyond Silence was nominated for a Best Foreign Film
Oscar in 1996, NOWHERE IN AFRICA is based on the autobiographical novel
by Stefanie Zweig. This two-continent love story is the extraordinary
tale of a Jewish family who flees the Nazi regime in 1938 for a remote
farm in Kenya. Abandoning their once-comfortable existence, Walter Redlich,
his wife Jettel (Juliane Kohler of Aimée And Jaguar) and their
five-year-old daughter Regina Redlich each deal with the harsh realities
of their new life in different ways. As the war rages on the other side
of the world, the trio's relationship to its strange environment become
increasingly complicated. NOWHERE IN AFRICA is the winner of five 2002
Golden Lola (German Film) Awards, including Best Film, Director and Cinematography.
PERSONAL
VELOCITY (Feature, US, 92 minutes), Rebecca Miller's film adaptation
of her book by the same name, tells three tales of women as they escape
from the situations that stifle them. Greta (Parker Posey), Delia (Kyra
Sedgwick) and Paula (Fairuza Balk) have one thing in common: They all
struggle to flee from the men who threaten to usurp their personal freedom.
Miller is the daughter of playwright Arthur Miller; she and Bingham Ray,
president of United Artists, are scheduled to attend the screening of
PERSONAL VELOCITY at the Festival. Sponsored by Buck & Pulleyn POSSIBLE
LOVES (Feature, Brazil, 100 minutes) is a contemporary romantic
comedy featuring rising star Murilo Benecio and Caroline Ferraz, top actress
on Brazil's Globo TV. This unusual film follows three distinct story lines,
each a different version of the life of Carlos (Benecio). One is his actual
life, another is not his life at all, and the third is the life he'd like
to lead. Which is whichThis is the film's mystery. Sandra Wernick, one
of Brazil's most respected filmmakers, directs this remarkable film. ROADS TO RICHES
(Feature/US). Written and directed by first-time filmmaker Michelle Gallagher,
originated in 2001 with the title STRANGE HEARTS. An aging former child
star tries to capture the wealth that has always eluded him by latching
on to a lucky, younger man, while both men have their eyes on the same
girl of their dreams. Rochester native Robert Forster stars as Jack, the
down-trodden middle-aged man whose best friend is Moria (Rose McGowan),
the mysterious young woman. THE SAFETY
OF OBJECTS (Feature, US, 121 minutes). Based on a series of short
stories by A.M. Homes, expertly woven together by writer/director Rose
Troche, THE SAFETY OF OBJECTS chronicles four days in the lives of disparate
characters who find themselves intertwined as they collide with the past.
The ensemble cast features Glenn Close, Joshua Jackson, Patricia Clarkson,
Mary Kay Place, Dermot Mulroney, Alex Houe and Timothy Olyphant. Dorothy
Berwin and Christine Vachon co-produced this film. TAKE CARE OF
MY CAT (Feature, Korea, 112 minutes), a popular favorite at the
Rotterdam Film Festival, provides a character study in which five girlfriends
in their early twenties, living in the dingy port town of Incheon, see
their paths begin to diverge as they step into the adult world. A quirky
story of class structure and coming of age, the film is directed by Jae-eun
Jeong, whose short film Yujin' Secret Codes won the Grand Prix of the
Women's Film Festival in Seoul in 1999. VELOMA
(Feature, France, 100 minutes). When Phillippe finishes dead last in an
around-the-world solo sailboat race, he finds it more difficult than he
expected to re-adapt to life on land with his partner, Lucie, and their
6-year-old son. He returns to sea and "disappears," but Lucie
doesn't believe for one minute that he is dead. Marie de Laubier, best
known for her documentary films, directed and co-wrote this compelling
film. Emmanuelle Collinot is VELOMA's director of photography. THE WEIGHT OF
WATER (Feature, US, 113 minutes). The latest film from K-19: The
Widowmaker director Kathryn Bigelow, THE WEIGHT OF WATER is an intense
and sexually charged drama of repression, love and loss, both in the past
and in the present. A contemporary woman's obsession with a notorious
unsolved crime from the 1800s leads her to confront devastating truths
in her own life. THE WEIGHT OF WATER stars Catherine McCormack, Sean Penn,
Josh Lucas and Elizabeth Hurley, and is being distributed by Lions Gate
Films. WHISPERING SANDS
(Feature, Indonesia/Japan, 106 minutes), directed by Nan Achnas, explores
the relationship between an overprotective single mother and her adolescent
daughter, who dreams of her traveling salesman father's return and longs
for liberation. Set in a remote areas of Central and East Java, the extraordinary
landscapes, both seashore and trackless sands, function like characters,
making their own marks on the unfolding drama. DOCUMENTARIES AMERICAN
STANDOFF (Documentary, US, 95 minutes), with Oscar winner Barbara
Kopple (American Dream and Harlan County, USA) as its executive producer
and Kristi Jacobson directing, chronicles the bitter four-year union battle,
still unresolved to this day, between the Teamsters Union and Overnite
Transportation over the company's refusal to allow its workers to unionize.
Vividly capturing the role of unions in modern times, AMERICAN STANDOFF
is the next chapter in the "America Undercover" specials produced
by HBO. This film is being shown in conjunction with the Annual Labor
Film Series at the Dryden Theatre. BLACK CHICKS
TALKING (Documentary, Australia, 55 minutes). Producer/director
Leah Purcell, working with Brendan Fletcher, makes her directorial debut
as she follows the lives and intricacies of five Aboriginal women, all
of whom are making their positive mark on Australia. This film explores
the diverse life experiences of these feisty women, and gives a strong
message about the choice to fight racism with talent instead of fists. BLUE
VINYL (Documentary, USA, 98 minutes) is a four-year odyssey filled
with humor and chutzpah, as Peabody Award-winning filmmaker Judith Helfand
and co-director Daniel B. Gold travel the country to find an alternative
building material to the ever-popular polyvinyl chloride (PVC) siding
that covers many American homes. The result is a funny but sobering exploration
of the relationship between consumers and industry, filled with observations
on the director's own life and family. DAUGHTER
FROM DANANG (Documentary, US, 81 minutes), produced by Gail Dolgin
and directed by Dolgin with Vicente Franco, chronicles the emotional pilgrimage
of one Vietnamese orphan who was removed from her native country as part
of "Operation Babylift" at the end of the war. Twenty-two years
later, she returns to Vietnam to find her birth mother. Journeying from
the war to Pulaski, Tennessee and back to Vietnam, DAUGHTER FROM DANANG
tensely unfolds as cultural differences and years of separation take their
toll. Already this film has received awards for Best Documentary at Sundance,
the Texas Film Festival and the New Jersey International Film Festival,
among others. THE EXECUTION
OF WANDA JEAN (Documentary, US, 88 minutes) follows the life-and-death
battle of Wanda Jean Allen, the first black woman to be put to death in
the United States in the modern era. By telling one woman's story, the
film is an exploration into the roles that poverty, race, sexuality and
mental health play in the criminal justice system. This film is directed
by Oscar-nominated director/producer Liz Garbus, who has produced award-winning
documentaries for more than ten different television broadcasters and
for theatrical distribution. GIGANTIC
(A TALE OF TWO JOHNS) (Documentary, US, 102 minutes) is the first
feature film for producer Shirley Moyers, whose work has received a 2000
MTV Video Music Award, two Music Video Producer Association awards, a
Kerrang! UK award for Best Video of the Year, a Billboard Award and a
National Emmy Award, among others. Shot over seven months in 2001, the
film follows the pop music sensation They Might Be Giants as they prepare
for their first studio recording in five years. Conan O'Brien, Jon Stewart,
Janeane Garofalo, Michael McKean, Annette O'Toole, Andy Richter and Harry
Shearer are just some of the many celebrities who make guest appearances.
IN THE MIRROR
OF MAYA DEREN (Documentary, Austria, 103 minutes) chronicles the
life of film theorist Maya Deren, who led the underground film movement.
The film features plenty of clips from Deren's films, and original recordings
of the filmmaker talking about her own work. Martina Kudlácek wrote
and directed this documentary. LOST IN LA MANCHA
(Documentary, UK, 90 minutes) This film may be the first-ever "un-making
of" documentary--the story of a movie that did not reach completion.
LOST IN LA MANCHA offers a unique, in-depth look at the harsher realities
of filmmaking by presenting a film that disintegrated during production:
Terry Gilliam's Don Quixote, an epic undertaking confronted with a series
of epic disasters. Amazingly, Mr. Gilliam continued his pledge of total
access for the documentary filmmakers even as the production foundered.
It's a movie buff's dream. The cast includes Johnny Depp and Jean Rochefort.
Lucy Darwin made her producing debut with this film; Rosa Bosch is an
associate producer. PARTNERS
OF THE HEART (Documentary, US, 57 minutes). Against the backdrop
of segregation, a black carpenter's apprentice and a renowned white surgeon
dared to defy medical gospel by forging a partnership that changed the
course of medical history. Vivien Thomas and Dr. Alfred Blalock worked
together to develop one of the century's major breakthroughs: a daring
heart operation that saved thousands of children afflicted with a congenital
heart defect known as "blue baby syndrome." Produced, written
and directed by award-winning filmmaker Andrea Kalin, PARTNERS OF THE
HEART tells the compelling story of personal triumph over the adversities
created by society. PHOTOS TO SEND:
RETRACING DOROTHEA LANGE’S TRAVELS THROUGH IRELAND (Documentary,
US, 89 minutes) reunites the people in Ireland's County Clare who were
first captured in black-and-white still photography in 1954 by renowned
photojournalist Dorothea Lange for the March 21, 1955 issue of Life. Using
the photos and notes she gathered from Oakland Museum's Lange archive,
producer/director/writer Dierdre Lynch traveled to Ireland in 1997 to
retrace Lange's steps. This intensely moving film received the Golden
Gate Award at the San Francisco International Film Festival in May 2002.
RAILROAD
OF HOPE (Documentary, China, 56 minutes). Directed by Ning Ying,
who is best known for her trilogy of features about three generations
of Beijing residents in post-Mao Chinese society, RAILROAD OF HOPE received
the Grand Prix du Cinema du Reel in Paris earlier this year. The film
provides what may be a first-ever opportunity to hear Chinese peasants
from poor interior regions speaking openly and sincerely about their lives,
as they travel more than 3,000 kilometers by train towards China's far-west
Xinjiang Autonomous Region, where endless cotton fields are waiting for
the harvest. SISTER HELEN
(Documentary, US, 90 minutes) takes us to the tough Mott Haven section
of the South Bronx to meet Sister Helen Travis, a 69-year-old Benedictine
nun who runs a 23-bed halfway house known as the John Thomas Travis Center.
This drug- and alcohol-free haven helps men get a second chance on life.
Rebecca Cammisa co-directed this film with Rob Fruchtman. SHORTS PROGRAM
1: TAKEN TALLGIRL EDUCATED DTS RENDEZ-VOUS TIMEPIECE LOQUEESHAASHLEYFRANKLINJOSÉBROWN NOËL EN FAMILLE (FAMILY
CHRISTMAS) BOOBIE GIRL SHORTS
PROGRAM 2: STRAYS HOW TO TELL YOUR FRIENDS FROM THE
JAPS GRIEF THE GENTLE CYCLE A CONVERSATION WITH HARIS LA MILPA (THE CORNFIELD) SHORTS PROGRAM
3: FROSTY FLOWERS 2+2 TRAVELER TRAILER OF TEARS WHO HANGS THE LAUNDRY?: WASHING,
WAR AND ELECTRICITY IN BEIRUT PASSE-PARTOUT SIZE 'EM UP
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